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LEMMY KILMISTER White Line
Fever book, pocket
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days regarding rock stars’ autobiographies auto you can stick with the
pompous tales of wasted years of a spoilt suburban kid from Los Angeles
called Anthony Kiedis or go with the real dealing of an English underdog
kid and outsider called Lemmy Kilmister. No matter if you like Motörhead
or not, if you like to read about the exploits of a rockband, this is your
place to go. And on top you’ll get heavy English slang, more heavy
English humour and the idea that strong will and drug abuse do mix. |
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Yeah, I know this book wasn’t written by Lemmy
himself. Can you imagine Lemmy sitting down with a typewriter (don’t even
think about a computer) and lay down 250+ pages of his life? I sure can’t.
Actually, it is a good thing, because the book reads as if this journalist
woman Janiss Garza sat down with Lemmy and he told her about Motorheads
career and all she did was bring the stories into a chronological order and
try to convey Lemmy’s stories as closely to his spoken language as
possible. And it is those stories, whenever Lemmy takes a sideway to recall
some memory that really put the flesh to this book besides the
record-tour-record-tour-itinary that makes up a rock star’s life. I also
know that what I am being served here is an image and of course the
autobiography of a rock star has to fit the image that he has made up for
himself, but heck, it is Lemmy we are talking about, not Robbie Williams. As
far as I can tell or anyone I have spoken with, Lemmy is the real deal and
he never put on a mask. Unlike Dean Martin who was running around with
coloured water in a whiskey glass (though you can’t fake snipping a
cigarette into your mouth with you hands down at your hips, which does make
him cool) or Bruce Willis shaving his head and going out with strippers and
such, Mr. Kilmister has never used the help of an image consultant. At
least, I hope so. There have to be some true and real people left out there
on the big stages of the world. There just have to. “White Line Fever” is built like a Motörhead
record, full of short and fast bits that go bamm, bamm, bamm, and inbetween
a solo or two. Running along the skeleton of record releases and big tours
you’ll meet a lot of people briefly, too many to really recall them, and
tons of hilarious facts. There is some self-righteousness and historical
redefinitions on Lemmy’s side of course, e.g. when he says something along
the lines that Motörhead always played the gigs they contracted and it was
the managers, tour promoters and so on who fucked up, and then recalls tales
of bandmembers and him getting sick, being stuck in jail or just plainly
fucking up here and there, but that is all fair since this is one man’s
view, it is not a fully told story (this thing also bugged me with Johnny Cash’s
autobiography and that is saying a lot, innit?) and Lemmy is mainly being
fair to people in the long run. Record companies get their fair deal and
that is just well also. Through all the shit and barriers that this band had
to wade through to make it “big” (if they ever did?) and the incredible
tales of drug abuse the humour and strong character of Lemmy shines through. The book starts off and contains a lot of musical
history right through, because Lemmy was there right through the British
beat explosion in the Sixties, worked for Jimi Hendrix for a spell (not as a
musician), breathed the psychedelic era with Hawkwind and predated the New
Wave Of British Metal, made friends with Metallica and Twisted Sister and of
course met a lot of people on the way from Eric Clapton to Dave Mustaine.
There is also a lot of the unfortunately forgotten girl-metalbands from
Girschool to the Cycle Sluts. (And I guess the reason that Lemmy was always
a lady’s man – at least for a certain breed of women – goes to show
that women judge by character.) Judging from an economic side and the
nowadays so popular marketing side you might say that he had a long row of
bad business decisions and even worse decisions image-wise, but then, do you
think he would care? Not a fucking lot. The same goes for Lemmy speaking his
mind on various issues such as the war on drugs, feminism and 9/11, which
are all disguised as side remarks. The best thing in this book, next to Lemmy’s way of
speaking and his impenetrable black humour (which will by the way penetrate
your own speaking invariably, so beware if people around you are not in
favour of swear words), are – of course – the tons of funny little facts
and factoids, which you might know that I am a sucker for. Did you know that
Black Sabbath always took a little nap together in the early afternoon when
on tour? Or did you know that Lemmy has a thing for horses and horse-riding?
Or what to do with cheese and a pesty road manager? There is a lot to learn
in this book – maybe that you should better be at home reading instead of
touring with a real rock’n’roll band if you ain’t fit enough, right? |
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9/2005
