VARIOUS
BiP-Hop Generation [v6]CD, Bip Hop |
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| Also volume 6 of the generation-shaping electronica-compilation series by Bip Hop-records lives up to all expectations. Six artists gathered to celebrate what the label eagerly calls sound-design, but is actually a very urban and modern exploration into the accoustic fields as they are now produceable by computers and digital machines. Some say that the spirit of adventure and excitement is all gone since the seventies, when the first few electronic musicians entered the stage and labored for weeks analogous on short pieces of music, but that is an arrogant point of view. As listening to this compilation will tell you. Sadly, this is the last one in the series. | |
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I
find the ways in which letters get shaped nowadays really funny. What people
do with small and big letters is, even though such a confined space of
possibilites, really creative and unique. Everyone wants to stand out of the
mass of everyone else and a lot of people try this by writing their name, or
fake name, or company name in new and curious ways. Also the incorporation
of the @-sign into company names or all the variations people find with the
syllable “com” always amazes me. Sometimes typing down these names is
harder than trying to type finnish names. And Bip Hop has them both. Finnish
artists, who stick to their real names, and artists from other places, that
try to get their exotica-bonus by writing every letter DifFer.Ent/ly and
with various si/g[n]s in their name. Yes, funny. And the more I have to do
this and watch this, the more I hate it. But this is about the only thing I
do not like so much about Bip Hop. Moreover, I find it very pleasing that
they obviously do not insist on curios writings, because whe who is named
“bittonic” on here, I have already seen as bitTonic as well. On the new
compilation, number six in a series that has gathered a cult-following in
special circles, they write them all in only small letters. I
usually don’t do this, but with this compilation I feel that it is
necessary to introduce the artists and tracks one by one, so that you get a
picture of what is ahead of you, if you decide to get this compilation. Volume
6 starts off with Alejandro & aeron, who provide us with an intimate
peep into their private life, ending with a soft kiss goodnight.They are a
married couple, so this is where the intimacy comes from. And they founded
Lucky Kitchen in 1996 and this is more than just a name, it is a philosophy
for life. A “lucky kitchen” is where they come from and want to be. Next
on is Scanner aka
Robin Rimbaud, whom you all know already, and who offers two multi-layered
soundscapes, one very much like a drone, the other one more distorted and
awkward but both with some vocal sampels. My first record by Scanner was
released on Earache – no less – and he has never disappointed me since,
although I must admit I haven’t followed his career and shenanigans as
closely as some. Since then he has moved more from his scanned samples to
producing more complex music, which is just as well with me. Bittonic
is one of the few (why is that so?) female electronic artists and the
interesting thing is, that in electronic music gender has no actual
influence on the output – so why did I mention this? Because the
correlation is interesting. The two tracks by Bittonic are full of weird
references to earth and natural sounds, from waterfalls in caves to the
shifting of landmasses, but it all comes from various digital sources. Then
there is the subdued female voice on the first track, which adds to the
gothic atmosphere. The second track is called “a theory of disorderly
behaviour” which might tell you everything you need to know about it. Ilpo
Väisänen is also a well-known electronic musician and artist. As one half
of frequency-explorers Pansonic, he knows how to shape soundcurves to really
make them massage your intestines. On his solotracks he has turned away
slightly from the monotony of his collaboratiove tracks with Pansonic. But
is still miles away from the free-form-imporvisation he does with Angel
(together with Schneider TM – see below) This time around he also tries to
find new sounds and shapes in common sources such as table-tennis (I guess)
in “kaputus” and then reworking, looping and cutting the whole mess up
until it is not recognizeable anymore. Next
to last is a trio called “battery operated” which I really can’t tell
you a lot about, except that they are from Montreal and Paris and have a
great name. They cut up lots of different and very differing sounds into
tiny little pieces, then plaster them together until they start to form a
concrete block that has both dynamic and meaning. Even to those, who don’t
fall into their almost hypnotic surge, this is at least “interesting”.
Either way, “battery operated” won’t give you an easy time. And
last one is Angel,
the free-improvisation project of Ilpo Väisänen (see above) and Dirk
Dresselhaus aka Schneider TM, which is like holiday away from their
homebases for both of them. Free improvisation that might range from
industrial to minimal to pure noise to rock’n’roll. It says “play
loud!” in the booklet and they mean it. |
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02/2003