ELEMENT OF CRIME

Romantik

CD, Motor

To compare Element of Crime to Calexico or Fink would be a misdemeanour, because Element of Crime have been around for a long time, all the while cultivating their very own style of melancholia and Weltschmerz that only grows in middle-European metropoles. Inhowfar all these bands influenced each other is hard to say, even impossible, all I know is: Element of Crime have done it long before. In addition, their lyrics – all of them in German – are way better, more poetic and modern than all the others.

And these lyrics are really what make this record so outstanding. The music is very good, no discussion about that, ranging from alt.country including Tex Mex-trumpets to shanty-like ballads to some songs which at their core might by French chansons to something reminding of the slowest of slow-songs by Curtis Mayfield. As you can see, these are all perfect styles to be arranged with melancholic, old-aged-wisdom-drenched lyrics about love, life and the way the world turns. And there is a lot of that in the lyrics of Sven Regener. I will try to give you a little insight with my limited abilities as a translator, okay. Don’t put it on me later on. Right on the first song, the first words are: “I also have no idea where we are going / I am happy that there are still paths to tread / that I got out on probation once more / and that we two are still standing on two legs / darling, next morning, I want you to say to me that we are happy still / looking into the sun will make you blind”. (“Die Hoffnung, die du bringst“) I guess, that is a love song, somehow. There is a lot of these dark and bitter undertones, that make you wonder, if the hope the singer expresses is real or just a part of the general despair he feels. Yes, this is very German, because it all has the feeling of winter, of greyness and snow on bland fields. But it is also truly beautiful, especially in a way, that people from Vienna can feel and relate to in various ways.

There is another picture, that might have been very important in the making of this record, or even in the constituency of the band – the picture of a young man, lonely in a bar, drinking and thinking, and both way too much. You know, the kind of thinking that leads to very surprising results, that will harden over the years if it is regularly wetted with more alcohol and lonely nights. And sometime late at night, this man will pull out a pen and some paper and jot down a few words, that make up the core of his thinking. After that it is either home or more drinks until black out. “At the end of the street there is still a light on / there they surely need someone, who / will sit unattended all by himself and silently / is still awake and thinks until he’s asked to go.” (“Fallende Blätter”)

Of course, the city that breeds this kind of people, of thinking and life-style is Berlin, which has got to be one of the greatest cities on earth, with its very special history, its mixture of people, of power and subculture, and openness to everything. Believe me, Vienna might be nice, but compared to Berlin or Paris it is a village, nothing more. But Vienna is also a centre-point in the emotional network of Europe, and especially the place where thinking and feeling death is most common and intrinsic into people’s lives. Beautiful cemeteries and grey skies, overlaying melancholia and nostalgia and a faible for funerals. The Viennese word for the funeral meal is “eine schöne Leich’”, which could be translated as “a beautiful body”. With these nice words I will leave you to ponder, if you are able to stomach so much darkness and bitterness, to get to the pure beauty of these feelings.

P.S.: If you can’t understand German, all you will get is very melancholic music with some folk-touches from all over Europe and German singing. How that will strike you, I can’t say.

12/2001