JOHNNY CASH
America / Ragged Old FlagCD, Columbia |
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| I
can think of two reasons Columbia re-released this records on CD for the
first time right now: utter patriotism since 9-11 and cashing in on the
newfound fame of Johnny Cash. I can also think of two reasons I had to get
these CDs: there aren’t available in any other form around here and,
after all, it is Johnny Cash, so how bad can it get? Actually, there are
pretty good songs on both records, even though one is more in the
novelty-corner. Must have’s they ain’t. |
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Johnny
Cash just celebrated his 70th birthday and his maybe third peak in stardom,
this time round in the most artistical honours and youthful endorsement.
Young people everywhere are referring to Johnny Cash as the a true rebel, a
real idol speaking words of wisdom and a life full of experience and also an
irreverent and uncompromising artist, who still likes to show music
establishment his straight middle finger. This is what makes Johnny Cash
cool nowadays (again) and he well deserves it. Even though the picture of
the man sketched above is just another picture you might have of him,
because Johnny Cash still is a lot of things that even the most
liberal-minded, middle-European music-critic wouldn’t understand, not to
speak of tolerate or withhold. He is for instance deeply religious, a
patriot and a southern man. True, he is also a rebel, a pacifist and
critical about intolerance. As Walt Whitman once said: “I am big, I
contain many things”. And Johnny Cash is a very very big man. I
guess you have been all acquainted with the highs and lows of Johnny Cashs
career, so you will know about his bad years during the eighties, when his
contract with Columbia ran out, a company he had been recording for for well
over twenty years or so. Last month two old record by Johnny Cash were
re-released for the first time on CD by Columbia. One reason might be, that
the company wants to cash into the newfound fame and sales-potential of
their former client. The other one might be, that both of these records
proudly show the Stars’n’Stripes on their cover, which in the wake of
9-11 and the subsequent rise in American patriotism might boost sales
another notch higher. “America”
was record in 1972 and is (another) travelogue-record, i.e. there are some
songs with special themes with spoken introductions in between. Sometime in
the middle Sixties this kind of records was very popular and nearly every
Country-singer with a name to themselves recorded one. Johnny Cash’s was
called “Ride that train” and featured songs about American landscapes,
trainbuilders and trainwrecks. Cool thing that and definitely more than just
a novelty. “America”, as its subtitle “a 200-year-salute in story and
song” subtly hints at, has the development of the USA, from colony to
full-grown superpower, as its theme. The funny thing here is the ironic
contrast between the songs presented here. On the one hand there is all the
history-book-patriotism about the Alamo, the founding fathers, how the west
was won, the Gettysburg address and so on. On the other hand, on the cover
Cash looks like a disgruntled Vietnam-veteran and includes a song about the
plight of the Indians. But as soon as that is over, he goes on about the
president, the space-race and so on. Truly a lecture-record about American
history for immigrants, this is. “Ragged
old flag” also has a nice cover – in a painted rendition Cash looks very
serious at the onlooker and points his finger at the “ragged old flag”,
which, as we learn in the title song, is ragged because it has been to every
war the USA ever had to fight. This album was recorded in 1974 and is a
little less hyper-patriotic than “America”, even has a song with a green
edge: “Don’t go near the water” about the poisoning of the rivers by
mankind. The rest is a mixed truckload of songs ranging from trucker songs
to country ballads. Musically, as far as listenability and variety are
concerned, this is definitely the better choice. And with “Lonesome to the
bone”, “I’m a worried man” (maybe known from the “Storyteller CD
with Willie Nelson) and “What on earth will you do (for heaven’s
sake)” maybe known from the “American Outtakes”-bootleg) it has three
definite highlights. Both
record were recorded with the Tennessee Three as musicians, so in terms of
country-music they feature fine arrangements and the driving beat that has
become associated with Johnny Cash. Both records have some pretty good songs
and some mediocre stuff. So I guess, these are really just for the fans.
Those just slightly interested better get the really early stuff, the
prison-records, the Live in Europe collection and the three records on
American recordings. And then these here. Believe me, you won’t find these
records on vinyl in Europe. |
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03/2002