BUG

klotho

CD / Interstellar

Bug are no small insect, easily crushed and destroyed. Quite the contrary, Bug are a destroyer-beast. A psychotic, destructive, manic killer-hunk of noise-rock. Think of the best names in the noise-rock-alphabet, from A like Arab On Radar to Z like Zeni Geva, Bug is one big-assed entry in that lexicon. Heavy percussions, distorted guitars, vocals that growl, howl and scream like any beast from the horror-dictionary, and some electronics to boot. If you were born somewhere in the early to mid Seventies, then you experienced the best noise-rock-years during the most important part of your musical-puberty – then you are going to like this a lot. If not, “klotho” might set your record straight.

I have mentioned from time to time that I like noise-rock a lot. The heavier, the more distorted, the weirder and disfigured rock’n’roll becomes, the more I enjoy it. Now that I am over 30 years old (not a lot though) I still enjoy it. This is my time, where I start to think, that I have heard it all before, where I find myself buying only records of artists that I already own records from, where I know less and less of the current bands around. Well, maybe I am exaggerating somewhat, but one thing is true – the older you get, the more reactionary your musical tastes become. Especially if your musical tastes stay the same, because time and art move on. It is hard work that takes a lot of time, money and interest to stay ahead of the game and stay a fan of new music. Some time I’ll take a time-out and work out if this theory is true for a lot of other things as well, but not right now.

Because “Bug” draw me back in time. Or rather, they kick me in the head so hard, crawl all over me and poison me so badly, that my life starts moving backwards. Please, make me go back to when I was 22 or 23, which were definitely my best years. They were also my worst years. It was back then I was infused completely by how bad the world really is. I saw all the evil and abominations around me clearly and I wanted to fight them, but I was overwhelmed by the sheer force and size of the onslaught of it, paralysed by the impossibility to change the world. And just like everyone else I fought by drawing myself deeply into my inner self, harnessing me with cynicism and wit and spitting words of rebellion and disgust at my surroundings. I still do, in a way, but as I grew older, I learned a lot more about how the world really works. I still live in disgust, but it seems as if I have gotten used to it, and I don’t think about it that much anymore. I am more concerned with myself, my life and partners to care so much about the world anymore. Like everyone else, I guess.

And like noise-rock, I guess. Bug find a lot of heavy words and heavy notes against this game people play on spaceship earth. They take them from Charles Manson (“Total Paranoia is total awareness”) or from their friends (“Rodeo”) or from mankind (“Pain in the arse”) and they drench it with disgust and distorted guitars. Without ever getting boring or fiddling their own knobs too much. I think I never heard a noise-rock-song so epic and hymnical like “Today is different”, with its wailing guitar-line and voice mixed in the background. (Yes, that one is a cover-version, but I don’t know the original so I don’t care. To me, it is a Bug-song. I am ignorant, I know, so fuck you.) Or a song as uncompromising and reeking of subdued anger like “Burn Baby Burn” with its growling vocals, strange guitar- and bass-lines.

Moreover, there are two “remixes” on “klotho” that will either bug you (no pun intended) or really dive into them. One is more a distortion or destruction of a song from Bug’s split-EP with Sensual Love by msjr8k of Calamari:Autopsy consequently called “ruin2”, and one by biochip called “tribute to bad blood”, which is a fucked up piece of old time-techno that will cleansweep every dancefloor immediately and make the walls of any discotheque cave in. And no, these are not put at the end of the CD, but are right in there between the “normal” tracks. “Tribute to” even functioning as a sort of overture to “bad blood”. Never doing what people expect of you or what has become a rule, I like that. Other people’s magic is black magic. Your own principles are white magic.

I’d like to add a few more connotations and ideas I had, that didn’t seem to fit the proper run of this review, but I won’t miss them. First off, the title “klotho”. As far as I can remember, this is the name of an evil roboter or sorcerer or the like in an old Sci-Fi-Movie from the Fifties or Sixties. Next, the cover does not show a “bigger fish eating smaller fish”-sort of thing, but looks to me more like one of these strange symbiotics in nature where smaller fish clean the mouth of bigger fish. But the message is almost the same: the small people either survive by doing all the shitty work or get destroyed. It shouldn’t be left unnoticed that Bug have been around for quite some time, releasing a bunch of great records with other Austrian noise-rock bands such as Turn Out and Sensual Love, that they are from Innsbruck and that they have worked hard and long for alternative music / lifestyle / thinking in the most conservative of all Austrian federal districts. And finally, a few more words about paranoia: “A paranoid is one who knows all the facts” (William Burroughs) and “Just because you are paranoid, doesn’t mean they won’t get you.” (Unknown author).

www.interstellarrecords.at

www.workstation.or.at/bug

04/2003